Tag Archives: The Story of Jasmine

What is so Special About The Story of Jasmine?

     The Story of Jasmine is truly unique and remarkable—not only from the standpoint of the story being told but from other key aspects as well. I thought I would help my supporters understand why every installment is unique and remarkable.
     It’s not supposed to happen like this…
    … to freshly present a finished installment to readers at the same time the story is being conceived is unheard of. But here we are.
The Writing
     Books usually go into production after the ideas have already been conceived and written down, sculpted and rewritten, then edited and proofread. The amount of text is known. When planning a publication, designs are based upon knowing beforehand the sizes of all the elements needed to be in the layout.
     The Story of Jasmine is in perpetual idea form. I can truly say I only have a vague notion of where the story is going. And I don’t know how the story ends. I am trusting that the creative process will take me where I need to go and everything will get resolved in a spectacularly satisfying way.
     The way I process information is a factor in my creativity. Not only am I a visual thinker, but a spatial thinker as well. I see things in terms of their orientation in space (and time). When I’m writing, I often get a visual of how the story appears on the page.
     I record ideas as they freshly occur to me and reason out the in-between stuff. I’m often surprised at what is gets revealed in the narrative that had never occurred to me when piecing known elements together. To update the newest information in my head is to integrate it.
While I’m in a more linear mode, I ponder why newly revealed details would be important and how they might affect the other characters. All I really have to do is pose the question to myself and I’ll (eventually) receive an answer. However, the story usually comes when I’m engaged in a physical activity, such as housework.
     Maybe I’m sweeping the floor when a part of the drama unfolds before my eyes. I’ll continue my activity until the “clip” is finished. As a visual thinker I “see” the characters in motion. Then I’ll go over the scene in my head, again and again—while still sweeping—so I understand it from each character’s perspective.
****I’ve read research that suggests that doing something physical while trying to learn something reinforces the ability to remember. It might be why when talking with a friend while on a walk, I would be able to reconstruct our entire conversation later when taking the same route. The memory is tied to different features, such as walking over peculiar cracks in the sidewalk or pausing in front of a tree. I’m apt to agree with the study.  But I digress… ********
     Each published installment is a single scene that represents a complete thought. I decide whose viewpoint would most effectively advance the story for the reader. I only begin writing in earnest when phrases start coming in.
Design
     Writing might take a couple of hours or three days. But as soon as I am finished, I transfer the raw text electronically and import it into Photoshop. First, I see how much text there is to work with. If there is little text, the illustrations become larger, vice-versa.
     This is the point where I edit the text. Appreciating the text in the context of the page is where I begin to assess the design. The text becomes units or blocks that have spatial relationships to other blocks. Visually, some blocks need to be filled when the lines are too short. I solve these visual problems by adding or losing words. It’s a matter of choosing different words to convey the same meaning. If I want to increase the size of an illustration, I may toss out a paragraph.
     This more organic method flies in the face of conventional graphics design where an established grid dictates the size and relationships of the units. For aesthetic considerations, I rely upon my eye and my artistic sensibilities to make the page a joy to behold because I’ve internalized the rules and understand how to break them.
The Jasmine Font
     A large part of my page aesthetic is due to the font. I designed my Jasmine font based upon the calligraphy I used in 1980 in some installments of The Story of Jasmine published in The Dragon magazine.
     The text font is the italic version of the Jasmine font. This is another departure from convention. Italics is seldom used for large blocks of text because italics is too hard to read: it is usually reserved for captions instead. Roman (upright) and Regular (medium weight) versions of fonts are normally used for blocks of text.
     When I first used my font, I was still renovating the original panels and wanted to replicate their size and look. The Jasmine italics font is the same size as the calligraphy was on the original panels—large—so readability is not an issue.
Illustration
     Then I decide what needs to be illustrated. Often, within an illustration’s progress, I may change the text to better describe the action, which may increase or decrease the size of the art.
     Often, no illustration decision is necessary. I simply re-create what I saw in my mind’s eye when my creative muse showed me a clip. I admit, I often receive material enough for several pages. So it’s a matter of being discerning. If I wish to feature a certain scene, I manipulate the text to accommodate an illustration, balancing the elements of the narrative between three panels or more.
     I chose to make the characters ultra-realistic looking. I wanted to f—k with the notion of reality impinging upon fantasy … a story documentary in page form. The realness of the characters feeds the realness of the tale. This very story just might be happening out there, somewhere, in another reality…
Publishing
     From conception to finished layout and art, the process takes about a month. With Patreon’s monthly deadline, I feel honor-bound to my patrons to produce at least one installment each month. During the month, I weave together many different creative disciplines. But whatever I do, the result is fresh and in-the-moment.
     Where actually does the story come from? Is it my imagination or am I tapping into some other realm where all this is actually taking place? Do other writers wonder the same things too? Can’t it be both?
     Well, I cannot worry about how relevant a story is about a girl growing into her power even though I sometimes wonder if people are sick of medievally-inspired fantasies about kingdoms at war with evil. It doesn’t matter. This tale is being told whether or not our world is ready for it.
All I know is that my Patreon fans are witnessing a creative process that integrates several disciplines on an on-going basis.

Jasmine Snippet #11

This is a continuation of notes for The Story of Jasmine that were written on Italian Stationery in Cortona, Italy:

Rogan hesitated for a moment, then surrendered his weapon to whom he supposed was the Guardian of the Temple. For the first time, he felt the same frustration Thorne described. He felt naked without his sword.

“Come.” Rogan followed the dwarf, and his sword, inside inner sanctum of the temple. He immediately noticed that the light became brighter as they progressed past many columns and down many steps.

Presently, they stood in front of a small, open room. With a nod, the dwarf bid him enter. He kept Rogan’s sword at the ready.

Almost without thinking, he sank to his knees when he first beheld the maiden in white. She stood, trance-like on an elevated platform of stone. There were many white flower petals  stuck on her glistening-wet skin. Wet petals also crowned her head, the water flowing down from her head like tears upon her face.

Before her was an oblong trough. Although Rogan could not see its contents, from the diamond-ripple reflections dancing upon the maiden’s ecstatic face and the wall behind her, he knew it contained water. But there was something more.

Submerged in the sparkling waters was the source of a brilliant white light.

© 2018 DARLENE

Note: This is another alternative version of events. The above must be among the first drafts.

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Jasmine Snippet #110

These notes for The Story of Jasmine were written in Cortona, Italy because they are written on Italian Stationery:

Rogan judged it to be well after mid-night by the time he reached the temple. On his way, he passed many stone statues of soldiers. Although it occurred to him that these statues seemed too new for an ancient temple, he wasted no more thought as to how this came to be.

The closer he got to the ancient building, the more numerous the statues became until the statuary cover the entire temple grounds. Rogan then noticed the look of surprise, which appeared on each stone face. For the first time, Rogan grew concerned, “Were these statues once men?”

“Heigh Ho! Are you friend or foe?” called a voice from within one of the chambers. Rogan whirled around in the direction of the call.

“Friend!” He answered quickly, then shielded his eyes in anticipation of some dreadful sorcery. He heard some bustle within the chamber and the slow approach of footsteps.

“Nothing will happen to you if you are indeed a friend,” a voice told him.Rogan looked up and noticed the stocky figure of a dwarf approaching him. He was a mature dwarf, with a graying beard and piercingly clear grey eyes. He wore several daggers and a battle-axe hung at his side as was the custom of mercenary dwarf-warriors, the like he had only heard about. Rogan duly noted the proud bearing of this man, not unusual in a warrior-for-hire.

Remembering the stone statues, Rogan thought it most prudent to kneel before him. This was not the doing of an ordinary mortal. The dwarf touched him on the shoulder and said, “it is good you humble yourself to the maker of miracles. But friend, it is not I. Give me your sword and I will guide you to a marvel.”

© 2018 DARLENE

Note: This is another alternative version of events. The above must be among the first drafts.

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Jasmine Snippet #109

The note for The Story of Jasmine is from a scrap of paper, which mostly had crossed out words:

“What did you do?” Glynn shouted as he touched the stone statuary of the soldiers, which just a moment before had been men.

“It was not my doing!” Jasmine cried, turning pale, “it just happened — it’s the power of this place!”

The red-haired companion of Glynn’s began a hearty laugh, “And we thought she needed help!”

“But I do.” Jasmine replied softly.

© 2018 DARLENE

Note: This is another alternative version of events. The above must be among the first drafts.

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Jasmine Snippet #108

More newly discovered notes from The Story of Jasmine:

As excellent a horseman as he was, Ahearn could not follow the pale princess-maiden, Jasmine. He rode swiftly up the mountain path and sought to overtake her. At the next turn, his steed suddenly reared and threw him.

From the ground, he beheld the sight of a white maiden on a white stallion, luminous against the evening sky. She faced him with burning eyes as she thrust her staff in the air. With an edge to her voice, she spoke, “You sought to trick me — why?”

Only then did he recognize the apparition as Jasmine, more glorious and beautiful than he had seen any woman. “Not to trick you,” he called, dusting himself off and getting to his feet, “to let you understand … that I am your husband—your betrothed—according to a royal decree, signed and sealed by both our fathers, binding the Kingdom of UR to the Kingdom of Elfvenhogg on condition of our marriage! My armies can free your father from his imprisonment … think of it!”

She rested her staff, “Yes, ah yes, the dark half-elves of Elfvenhogg, renowned for their many skills. But you, Prince Ahearn of Elfvenhogg, should know above all others that the princess you seek has long since vanished.”

© 2018 DARLENE

***Note: “Elfvenhogg” is new to me … an alternative name for Dockalfar. But looking up the word “hogg” (related to swine), I think I prefer Dockalfar (meaning: dark elf)

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Jasmine snippet #107

New notes for The Story of Jasmine continue:

To Ahearn’s relief, Jasmine insisted she be alone in her visit to the Ancient Hollow. Her white stallion pranced lightly and safely across an old and delicate stone and wooden structure, a rickety bridge between two mountains.

Ahearn’s steed bounded hard and quick behind her, causing the weakened wood and stone to crumble underneath him. His horse reacted expertly. By the time Ahearn reached the other side, the link between Jasmine and her protectors had fallen in pieces to the bottom of a deep chasm.

Although this maneuver was a marvel to all that witnessed it, Glynn recognized Ahearn’s excellent horsemanship and suspected his purpose was to deliberately separate them. But without concern, Jasmine called to her companions left on the other side, reassuring them that they would be reunited after she completed her visit to the Ancient Hollow.

Jasmine then urged her stallion onward towards her goal.

Ahearn hesitated. The half-elf’s horse was still for a moment, as Ahearn regarded the temper of the companions he left behind. He snickered when he saw Glynn’s livid expression. In an air of victory, he lightly galloped his horse after Jasmine.

© 2018 DARLENE

***Note: This is definitely an alternative version from what I posted earlier, where Jasmine alone escapes an attack and her entire party gets captured, while she, on the next mountain, watches helplessly…

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Jasmine Snippet #106

More Newly-found Notes for The Story of Jasmine Continue:

Although an autumn nip is in the air, she finds the water surprisingly warm. With a delightful sense of abandon, Jasmine swims carelessly about, rejoicing in a freedom she’d never known. She quickly composes herself as she senses another presence. She darts underwater and hides among the reeds. Slowly, she acknowledges the calling of her name.

“It is I.” the voice moans through the reeds.

“Where are you–show yourself.”

“There is little time–and I have so much to say. I no longer have a body–these reeds serve as my mouthpiece. I had hoped to fully reincarnate, but i cannot. There is a great danger for everyone — the witch Melantha is a far greater adversary than the dark prince. Make haste to the north and enlist the aid of the Ice King. Although his heart is cold, he can still be reached. Go to the council of the winds as soon as you acquire a trustworthy escort. I will guide you there. You are now baptized in the holy water of this ancient temple. By the time you leave, you will know where to find new raiment and my staff–use them with pride.”

© 2018 DARLENE

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Jasmine Snippet #105

More Newly-found Notes for The Story of Jasmine Continue:

“Think it over, Thorne. It is the best opportunity we have! The King of UR can no longer help you or your people! Why go back empty-handed when we can appeal to the Ice king in the North?”

“We’ve discussed that before. It is said his heart is as cold as the land he rules. He has no compassion!” The violet-eyed maiden snapped, brushing her dark locks from her brow.

Rogan pleaded, “There is still a chance—but only if we join the Wizard-woman and her protector Glynn. We can only make this journey together.”

Tjhorne smiled impishly, “Alright, I consent. Make the necessary arrangements with this wizard-woman…but first tell me she hasn’t enchanted you…”

© 2018 DARLENE

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Jasmine Snippet #104

The Story of Jasmine snippets continue:

“Yes, it is I,” the reeds rustled a wispy reply, “my spirit waited an age for you to be born. Find my staff in the Ruins and use it with the knowledge I will teach you. This land has so little time—you must learn quickly…”

The wind died and with it, the voice of Enel Rad. The magic had gone.

Jasmine only heard the crackling of dried leaves. Making her way to the Ruins, she no0ticed a stone which had been recently moved. Beyond that stone, in a small alcove lay the powerful staff of the Wizard Enel Rad. As she grasped the magical wand, she felt the strength of an age rush through her. In that moment, she was baptized Jasmine, The White Flower of Deliverance.

And then too, she knew what she must do.

© 2018 DARLENE

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More Snippets!

OMG! I unexpectedly found a bunch more notes for “The Story of Jasmine” in a hanging file folder. . . and they seem to be an alternate version of events.

This would be Snippet #103:

Although an autumn nip was in the air, the young woman found the shallow water by the ruins of an ancient temple inviting. With a delightful sense of abandon, she rejoiced in a freedom she had never known. Sensing another presence, she quickly hid herself among the reeds. Remaining still for a long while, she concentrated on each sound until one became prevalent among the rest. Slowly, she acknowledged the sound as the calling of her name—but not the name her parents gave her.

No longer afraid, she emerged from her hiding place, her nakedness gleaming in the autumn sun. “Jasmine”—her name before she was born—she embraced it with her entire being.

Strengthened by the revelation, Jasmine heard for the first time the raspy voice of the reeds. With reverence and a certain heaviness, Jasmine uttered the name of the great and legendary wizard who had wandered these parts in the days of old.

“Yes, it is I,” the reeds rustled a wispy reply, “my spirit waited an age for you to be born. Find my staff in the Ruins and use it with the knowledge I will teach you. This land has so little time — you must learn quickly…”

© 2018 DARLENE

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