For much of the art I have created for AdD&D, I used the medium of pen and ink. It was the preferred medium for the RGP genre, a hold-over from the print technologies of the past, before the digital age. Back then, it was simply easier to reproduce illustrations for offset printing where black was black and white was white–with no grey-scale in-between. Obtaining the illusion of grey-scale using only black was possible, (like stipling with dots) but very time-consuming.
At that time, turning in art using pencil was frowned upon because reproducing grey-scaled art for print via Photo-Mechanical Transfers depended upon the skill of the camera person. The results were not always happy. Often, the subtle details of the art was lost in translation, making the art appear lacking in the printed version. If artists wanted their work reproduced accurately, they defaulted to pen and ink.
But that was back then… This Gallery displays art I’ve created using different types of pencil.
Art created with pencil, colored pencil, and grease crayon
By no means exhaustive, the works within this Gallery were chosen for their unique qualities–like utilizing paper Darlene made herself, her experiments in combining calligraphy with photography, non-usual layouts, calligraphy etched onto glass, type face design based on calligraphy and angelic alphabets, etc..
GALLERY of CALLIGRAPHIC WORKS by DARLENE
Although Darlene started dabbling in calligraphy early on in high school using a Speedball pen and guidebook, officially, she dates learning calligraphy “properly” when she stayed in London in 1974 as her Field term at Beloit College. Her teacher was Dorothy Hammond, Craft member of the prestigious Society of Scribes and Illuminators.
Many years have passed since that time. Darlene has learned her craft from the “who’s who” in the Calligraphic Arts–Shelia Waters, David Howells, Ian Reece, Donald Jackson, and Thomas Ingmire to name a few. Along with a myriad of different scripts, she also learned quill making, vellum preparation, paper-making, Medieval Gilding techniques, marbling and book-binding. Darlene’s also taught calligraphy and helped to co-found The Wisconsin Calligraphers’ Guild. Her calligraphic works have also been published in several books.
About works within the Gallery:
Flower of Darkness. Darlene wrote out in calligraphy several depressing poems using different colored inks for each poem–pale blue, black, crimson–on black paper she created herself. Darlene also hand-bound the book which fits within a box she made in the shape of a coffin. The binding incorporates the accent of a paper sculpture on both the cover and coffin-shaped case. 1986.
Flowering Tree Roundel. After Darlene researched the different flowering plants associated with the 12 months of the year (according to Sun Bear), she arranged the information in a roundel, combining illustration with calligraphy. Likewise, the colors she used for the calligraphy were also associated with the months. 1988.
Albert Einstein Quote. This calligraphic piece, which incorporates illustration with text, was published on the front of the Wisconsin Calligrapher’s Guild Newsletter. It is one of her favorite quotes from Albert Einstein. 1981.
Dragon Alphabet of Decorative Caps. These Capital Letter project combines two things Darlene loves: letters and dragons. 2003.
Photographic Calligraphy. Darlene used her favorite Einstein quote in her photography class at Indiana University. The piece was created by brushing photo-emulsion onto a piece of paper and exposing the portrait image through a layer of acetate that she had calligraphied. When exposed, the places where the light could not get through shows up as reversed lettering. 1986.
Pasolini Quote. Darlene stayed in Italy, attending a 4-month Artist Retreat when she created this calligraphic piece on paper which she made herself. As the time wore on, many of her fellow artists got fairly depressed and this quote somewhat reflects the mood. 1983.
Manjushri. This is a fairly straight-forward calligraphic piece dedicated to Manjushri, the Bodhisattva of Wisdom. In Mahayana Buddhism, his name means “Gentle Glory.” 2006.
Voyagers of the Light. The calligraphy was etched on Glass. 1987.
Osiris, the Plant of Life. This calligraphy was produced using different ink colors for different lines of an ancient Egyptian poem. 1998.
The Power of Love. This is not calligraphy–this is a typeface Darlene designed based on calligraphy. It’s included it in this gallery because it looks fairly convincing as hand-work. 2006.
Troubadour Poem. On the occasion of a marriage, Darlene created a calligraphic piece reminiscent of an illuminated manuscript page, complete with borders and illustration. The illustration is also crammed with hermetic symbols. 2001.
Ophanic Characters. Darlene re-designed a 16th century angelic alphabet, known as Enochian but re-named as Ophanic, according to the principles of character readability. 2009.
This Gallery displays eight recent book covers designed by DARLENE for author, Stephen E. Crockett. Stephen’s subjects and themes are drawn from the mountains and foothills of his North Carolina home and each story is its own little slice of psychological horror…
About Stephen E Crockett:
Before turning his attention to autobiographical, truth-based fiction novels, Stephen E. Crockett started his writing career back in 2001 with the publication of “The Prophet Code” by Aethyrea Books, which he followed up with “Bible Prophecy” in 2006.
In 2010, he published in Kindle, “The Dark Man” followed in 2012 by the biographical story, “Black Tar: For the Love of Heroin.” Then came “Ocular: The Monster in the Mirror” in 2013; “Knob Hill: The Grey House Murders” in 2014 and “The Island” in 2015. “Ouija: The Devil’s Doorway” and “Diary of a Drug Addict” were both published in 2016 while “The Puppet Master” was published in 2017.
Stephen’s works are only available as Kindle ebooks on Amazon.com in the Kindle bookstore. Just use your ebook reader and do a search on Stephen E Crockett, or click on the titles below.
For anyone interested in knowing something about any of his books, here are their descriptions:
Black Tar is a biographical look at the use of heroin and the toll it takes on the addict. It is written from an addict’s perspective and details the day to day existence of one junkie as he lives from fix to fix and watches as his life spirals from alcohol, pills, and Cocaine to heroin and intravenous drug use. His attempts to free himself and live a sober life are always half-hearted at best and so his casual drug use spirals from a clean life, with a job and the hope of a family to a heroin addict; living hand to mouth–unemployed and desperate on the mean city streets. In this smack-tinted world, our junkie bounces back and forth between the extremes of overdose and withdrawal, both of which have the ability to kill him. Life is desperate for a junkie and all too often, they find themselves dangling between the fix that will kill him and the sobriety that will let him live.
A heroin addict looks back over a life of misery and addiction. From his earliest days experimenting with “gate-way drugs” to his spiraling descent, through every available illegal drug – into the hell of heroin addiction. He gets pushed by his addiction to heroin from a manageable addiction that he can control, through the loss of everything he owns and holds near and dear to his life. Heroin becomes his ever-present companion and over the years it turns him into a homeless, jobless heroin addict living under a downtown highway bridge. At his lowest, suicide seems to be the only way out, but when he finally hits rock bottom he realizes that in the mess, the muck and the blood that his life has become, salvation may still be possible. If only he can stay away from the needle and be as successful sober as he had been as a drug addict.
Within every mirror, there is a reflection; and within every reflection, there is a world. It may be as simple as your face in the morning or as complex as the world behind you. But not every mirror projects a reflection of whatever you place in front of it. Some mirrors have depth and in that depth, there hides another world–a realm you will never see unless you go looking for it. Sometimes you can find it, most times you don’t. Those that do open themselves up to a realm beyond our physical world, a place where dreams hide and nightmares come true; where monsters are real, and a man can quickly find himself hunted by creatures he knows nothing about and has no control over.
Following Hurricane Donna, a struggling family of four follows their dream to own a house. They run the real estate gauntlet, never finding anything they like until their agent shows them the last house on her list. A run-down Victorian style mansion sitting all alone on a piece of property the locals call Knob Hill. It looms over the valley like some giant gargoyle and is known to the locals as a place of mystery and great horror. Undeterred, the family buys the house and begins remodeling it. But just as they are settling into their new home, the nightmare begins. A silent, residing evil force reaches out to the oldest child and establishes a connection that slowly but surely guides him through the house’s violent past. When he is commanded to exact the same horror on his own family he does as instructed, skillfully killing his family members until there is no one left but himself and the demon who then drives him to suicide thereby reclaiming the house that has been its all along.
A group of young friends form a club to investigate occult subjects. From witchcraft, to mysticism, to magic. They get together on Sunday mornings and Wednesday evenings. In the beginning, nothing much comes from their persistence. But then, one of them suggests they test the Ouija Board to see if there is any truth to its fabled abilities. Their main objective is to see if they can use it to summon invisible forces from the other side. Their experiment is successful, but quickly gets out of hand. All but one abandons the project. The last standing member of the group takes the Ouija Board home and continues using it to contact spirits. Demons or Angels? He can’t be sure until they leave little doubt in his mind as to what forces he has been dealing with.
Scott Clemmons lives in a world of hurt. Abused by an alcoholic father who murders his mother when he was twelve years old, Scott must deal with his own increasing paranoia and insanity. A big black bird shows up, invades his sanity, helps him murder his father to avenge his mother’s death, and then attempts to protect him from attacks that Scott believes is launched by his father’s disembodied soul. As he spirals into alcoholism, he must defend himself from “The Dark Man” who haunts the family farm and seeks to destroy everything that Scott holds dear. Scott fights hard to live a normal life and for a few short years is able to do so. However, as time passes “The Dark Man” consumes each and every part of his life, from his sanity to the love of his life and in the end this evil aberration consumes Scott as well. This story contains graphic depictions of demonic possession, domestic abuse, spousal abuse, child abuse, murder, death and suicide.
On a small island off the Carolina coast, there lives a beautiful woman whose life is marred by grief and tragedy. Her world is dark and loveless. Her marriage is miserable and the pain of losing her only child has almostdestroyed her. Her pain is as real as the ocean that surrounds her and she has long made peace with the idea of committing suicide. And then a chance encounter with an uninspired writer turns romantic and although she’s married, she allows this stranger to swept her off her feet and into his arms with promises of a Summer she will never forget. For a time, their affair is a whirlwind of sex, wine, and cocaine. A life of excitement and pleasure await them at every turn and their secret affair is all consuming. As they share their darkest secrets she lets slip the fact that her husband is the island’s cocaine kingpin. He is a shrewd, evil man with illegal resources and no weaknesses. Once he learns of their affair he swears revenge and they are suddenly in great danger. As more and more details of the affair emerge, her husband’s contempt boils into a rage he cannot contain. They know their disappearance would be nothing more than passing gossip and the question is not IF he will seek his revenge but WHEN and, as she knows far too well, his actions will destroy everything and completely.
On a south-eastern Virginia farm, a dirt-water, back-woods rendition of fundamentalist Christianity dares to rear its ugly head. Heavily influenced by a little red book–based solely on a deep misunderstanding of basic religion and Biblical principle–written by a mysterious missionary, one believer’s brain is being cooked. He uses his Bible with the little red book to terrorize his family in the name of religion and stews in a vat of ignorance and superstition from which springs forth a most unholy doctrine. He’d totally inflict his insidious beliefs on his family were it not for his wife, who would stand for none of it. She’s ready to protect her children from what she believes is her husband’s religious insanity. And then the puppet master appears. Revealed as the author of the red book, he arrives with extensive plans to build a network of churches based on the dictates of his little red book. The farm is sold and the family reluctantly moves from Virginia to North Carolina where the first church is to be built. It is here that the shellacking begins. The church attracts its fair share of attention, however, nobody hangs around for long as the church evolves from great hope and possibility to empty pews and bankruptcy.