Category Archives: For the LOVE of BOOKS

Exploring how the spacial relationships between typography and image can enhance meaning

Two Publications, Side by Side

Two books designed by Darlene in 2015.

Two books designed by Darlene in 2015.

This week in the mail,  I separately received physical copies of both books I designed in 2015 for two different authors and the subjects could not be more different from each other.

The first book project, a behemoth 336-page hardcover, “Mythos Arcanum” (written by Joe Aragon, published by MAGI), was completed and signed off by me during the summer of 2015. Thanks to a successful Kickstarter campaign, I created the lion’s share of the illustrations. I am surprised at the amount of time it took for the actual printed product to appear. MAGI took the route of having a traditional print run.

I started my second book design, “NEW LIFE: Symbolic Meditations on the Birth of Christ Within” (written by Kathleen Wiley and published by Soulful Living, Inc.), immediately after the first book was put to bed. I spot-illustrated this 98-page soft cover with line art of different birds and signed off on Kathleen’s book last week. Then I prepared the book for publication through a digital vendor and it took only about a week to become available. That’s how I received physical copies of both books in the same week. The difference in the time factor astounds me.

When looking at each title, side by side, it is difficult to believe they have anything in common. Yet I designed both books to conform to the principles of the phi ratio. Now, the first edition of Kathleen’s book had already been publicly available for two years. But a good friend of ours (who had helped me proof read Mythos Arcanum) recommended to her friend Kathleen that she consider having her book redesigned by me, using the golden mean.

When I first contacted Kathleen, mid-August 2015, about a possible re-design, I wrote: “To most people, in and of itself, a page of words is just a page of words. Anyone, even those without an aesthetic sense, can create perfectly reasonable page presentations from templates. But there is no life, no sparkle or soul to an uninviting wall of words. When the eyes get tired, reading becomes a chore and comprehension suffers. To rest the eyes, the book gets put down, producing an unconscious psychological resistance. It’s harder for the reader to resume. Without a compelling incentive, the book may never get picked up again. And that is sad, for both reader and author.

“I’m telling you this because it’s something you may never have before considered. When done properly, the design aesthetically serves the text. The eye is pleased. The result is happy. Good presentation has power. That is what I offer…

“When I undertake a book project, as I read the text, I can “see” the page take shape in my mind’s eye. Is it channelling or divine inspiration? To use my gift responsibly, I must carefully choose which projects I am to undertake. When Patty first mentioned your book to me, I felt the “rightness” of working with you and thus feel led to work with you. The fact that you recognized the potential of the golden mean proportion also speaks volumes in your favor.”

My passion is to create a thing of beauty. Beauty speaks. Eloquently. With book design, my facility is to create a visual portal through which people may more easily access the depth of the ideas being expressed. It’s like opening a gateway to a different world. Resonance is achieved through the subtle balance of negative (white) space, text, and graphics using correct proportion and placement. It is my gift, my genius.

Its only been a couple of weeks since Kathleen’s second edition has been available and already it has generated some notable buzz. For instance, she showed up at a bookstore in her town and inquired if they were interested in selling the book of a local author. They were so she left some copies behind. Before the day was out (or at least a short time thereafter), the bookstore called and offered to promote her book and do an author signing. They are even willing  for Kathleen to do talks and give classes about her material through the bookstore on a monthly basis. I’d venture to say the book cover design worked in her favor.

It is a joy to see how Kathleen’s star is now rising. I am so pleased to have been an integral part of her success. Kathleen is now anxious for me to begin design work on a second title of hers and I’ve already started.
The publication of Joe Aragon’s book will be officially announced on December 5th, 2015. I trust that Mythos Arcanum will receive similar notoriety albeit from a different audience. Only time will tell. I’ve decided to submit this book to an RPG design competition. Because good design has mostly not been a large consideration within the Role Playing Game industry, I am more than curious to see how well aesthetics can be recognized and honored.

Introducing Sacred Geometry in a Gaming Context

Back in 1990, my late husband taught classes on the beauty of sacred geometry. He believed if one is to come into resonance with the universe, one must be able to accurately visualize the dance of Platonic solids and know how they fit and transform into and out of each other. Coming into congruence with sacred geometrical shapes and knowing how to visualize them at will is great knowledge sought after by those in the know.  In esoteric circles, the novice must appreciate the profound relationship between sacred geometry and the proper creation of a magic circle.

For my husband’s classes, I created all his hand-outs, including ton sacred geometry. For his publications, I created educational illustrations exemplifying the concepts of sacred geometry.


The above illustration is the first page from our chapter on sacred geometry [“The Ophanic Revelation” (c 2006)].

The classic five Platonic solids are 3-dimensional polygons that have a sequential relationship to one another (known as duals or congruency). Congruency occurs when one polygon–with its unique shape, size and facets–can be transformed into the next polygon simply by changing it’s placement by flipping or rotating them. The five Platonic solids are the tetrahedron, cube, octahedron, dodecahedron and icosahedron. Goethe once wrote, “geometry is frozen music.” What an beautiful way to describe the elegance of these patterns.

Because of my familiarity with sacred geometry, I was fascinated to encounter a client, from the unusual venue of gaming, who was conversant with the Platonic solids. In his text, he addressed the five Platonic solids and supplied an illustration of the same. I wondered to what degree he was acquainted with the forms. In my role as his book’s designer, I expanded on his seed idea. Instead of all the solids appearing at once in a single chapter head, I assigned one geometric solid to each chapter in the book. As there are only five solids, I had to add an additional polygon for chapter six and chose a star-tetrahedron. To pique the interest of the inquisitive, I added a small splice of text revealing the symbolic meaning represented by each Platonic solid.

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Just Finished Designing a Book based on the Golden Mean

How delighted I was to discover a client who genuinely wanted to base the layout of his book, Mythos Arcanum, using the proportions of Phi. Most people are not acquainted with the power of Phi and why it is important. Throughout history Phi has been identified as the golden section, golden mean, golden number, golden ratio, golden cut, and the divine proportion. According to science, Phi represents a canon of Beauty.
What’s so special about Phi? The divine proportion is fractal and arises from the division of a straight line into two segments so that the ratio of the whole Continue reading

Surfing the Apocalypse

Escaping Reality

Escaping Reality

As regards the collective conscious, it’s best to meditate on how and in what direction the major sweeps are moving and notice what appears within its eddies. When adopting the long view of time, it becomes easier not to get as caught up within the drama of the different energy swirls. Once there, it takes more effort to escape the toroidal motion of the force. We are all navigating the time swirls. If we are not mindful of where we are going, we are apt to slip and fall inside a downwardly-moving conical spiral.

The key to knowing how not to fall victim to circumstances beyond one’s control is to become self aware. I’m not merely talking about being mindful of current events, although that’s helpful too. It’s as simple as to become aware of the symbols which suddenly turn up in ones life, especially Pay special attention to synchronicity. When I encounter moments of synchronicity happening around me, I first take it as a sign that I’m moving in the right direction. For content, I read the symbol. If I heed the action required to enact the meaning of the symbol, I can avoid, mitigate or enhance the probable outcome.

This is a part of my spiritual knowing. If I read the symbols coming into my life correctly, I am being lead to revisit my early days as the first female artist working in the genre of role-playing games (RPGs). I have been doing this mildly in the last few years but stepped it up since the death of my husband last year.  I have been trying to fathom why it is important to connect with gaming and have finally come to an understanding.  Continue reading